Natural History exists because of the women who gave it their trust — more than could possibly be named here, over six years, each one a real afternoon that cannot recur. Among those whose presence shaped the project most deeply were Maria Fernanda C., Daynelis P., Key V., Ainara V., and Magalí L. — all present at the table, in the work, and in the life of the studio during various formative periods. Many others contributed as well; their names live in the catalogue and in the pieces themselves. Every one of them is cast permanently into the collection, with much love and respect.
A couple extra special ones appear below:
Amanda Oropeza-Herdee
I'm a digital design graduate with a deep love for hands-on art. My passion really took off with ceramics — working with clay taught me that everything we touch can become something beautiful. I carry that belief into all my work, whether it's digital or physical.
Growing up surrounded by both Latin and North American cultures has given me a unique way of seeing the world. This mix of influences helps me approach art from different perspectives, blending tradition with modern ideas.
For me, art is about the process and the connection, creating something real that feels alive and meaningful.
Victoria Lemos
Art has always been something that interested me, but my path has been full of twists. I started med school in Uruguay before life brought me to Spain a few years ago. When I was offered the opportunity to model, it opened the door to a whole new world for me.
What started as a one-time modeling opportunity turned into something much bigger. I became an assistant in the studio and eventually its manager, getting to experience a wide range of creative work along the way. I've always been multifaceted, and this journey has allowed me to explore my passion for art and creativity from many angles.